63:03/04

Infrarealisms, Again: José Vicente Anaya —

Joshua Pollock, Introduction to José Vicente Anaya

José Vicente Anaya, For a Vital and Unlimited Art

Translated by Joshua Pollock, Conversation with Armando Pereira
Morgue #1
Morgue #2

Nonfiction—

Dawn Lundy Martin, My Father’s Only Son

Kate Colby, The Bind

Ryūnosuke Akutagawa, translated by Ryan Choi, Ten Thorns

Trey Sager, Throwing Shadows

Michael Heinrich, translated by Simon Hajdini, Marx: Biography as Politics

Fiction—

Mary Elizabeth Dubois, Aural Pariahs

Serge Pey, translated by Donald Nicholson-Smith, The Bench

Thomas Heise, Ghost Money

Interview—

Hannah Brooks-Motl, An Interview with Ben Estes

Poetry—

Aditi Machado, Concerning Matters Culinary

Valeria Meiller, translated by Whitney DeVos, Conejos/Rabbits; Langostas/Locusts; La canela/Cinnamon; El animal/The Animal

Peter Gizzi, Inside Out Loud; Now it’s Dark

D. S. Marriott, Sisyphus Redux; A White Rabbit at Zero Gravity; Like a Thought that Plays no Part

Margaret Ross, Relations; Songs of Innocence and Experience

Eléna Rivera, Movement in the Lower Region

Marjorie Welish, Everything I Look On; A Modern Glacier; Skywatching

Robert Fernandez, Ferrari; Pom-Pom

Art—

Ben Estes, Heart Poem (Ear of Blue Kernel), 2019; Heart Poem (Lighthouse), 2018; Heart Poem (Tell Them), 2018; A Petaluma Purchase, 2019; Heart Poem (A Normal Kind of Wrong), 2018; No title, 2019; Heart Poem (Ice Plant in Moonlight), 2019; Earth Piano, 2019